Current & Forthcoming Exhibitions
2023 | “I Chose This”, Newlyn Art Gallery, Cornwall …read more |
2022 | The Football Art Prize …read more |
2021 | John Moores painting prize open, Walker Art Gallery, Liverpool …read more |
2020 | “John Lennon is not Dead”, Stash Gallery, London …read more |
2020 | “Received Wisdom”, Arts Council Exhibition, Sunderland Museum …read more |
Solo Exhibitions
Jam Rock
21 Oct-19 Nov 2016
Paul Stolper Gallery
31 Museum Street, London, WC1A 1LH
Catalogue for sale £10 at Paul Stolper Gallery: Download PDF
2016 | ‘Jam Rock’ Paul Stolper Gallery, London |
2014 | ‘Spellbound’ Sardac, Lectoure, France |
2013 | ‘Sing Out Loud’, Transition, London |
2008 | HQ Gallery, Lewes, E Sussex |
2006 | Galeria National, Costa Rica |
2003 | Frederick Spratt Gallery, San Jose, USA |
2003 | Southwark Park Gallery, Southwark Park, London |
2002 | S. Francisco Museum of Modern Art Artists’ Gallery, USA; Aberdeen Art Gallery (café) |
1999 | Maidstone Library Gallery |
1998 | Sevenoaks Library Gallery |
1997 | Harriet Green Gallery, London |
1995 | Riviera Gallery, Hastings |
1988 | Trinity Arts Centre, Tunbridge Wells |
Selected Group Exhibitions
2023 | “I Chose This”, Newlyn Art Gallery, Cornwall |
2022 | Football Art Prize, Touchstones Rochdale, Sheffield Museum; Sunderland Museum |
2021 | John Moores painting prize open, Walker Art Gallery, Liverpool |
2021 | Oxlade Soup, ‘Terrace’, London |
2020 | “John Lennon is not Dead”, Stash Gallery, London |
2020 | “Received Wisdom”, Arts Council Exhibition, Sunderland Museum |
2019 | “Too Cute! Sweet is About to get Sinister”, Birmingham Museum and Art Gallery |
2019 | Open Mostyn 21, 12 Vaughn St, Llandudno, LL30 1AB |
2019 | “Not the Dead Spit” – Sophie Barber and Georgia Hayes, Niagra Falls Projects, Brighton |
2018 | Two Person Show – A Stone in the Mountain, Transition 2 Gallery, London (find out more) |
2017 | “Figure it Out” at Tannery Projects, London, Friday 29th Sept – 20th Oct, 2017 (private view: afternoon, Sat 30th) looking at preparatory work that goes into making artwork |
2017 | “Between Things” Otter Gallery, Chichester University, 19 Oct – 3rd Dec, 2017 Touring Exhibition: 2015-17 |
2017 | ’One Day Something Happens’ curated by Jennifer Higgie from the Arts Council Collection: Leeds Art Gallery; Nottingham Castle 2015; Highlanes Gallery, Eire 2015-16; The Atkinson, Southport 2016; The Towner Gallery, Eastbourne Oct 2016-2017. |
2016 | Discerning Eye, London |
2015 | ‘Aioli’ Outpost, Norwich |
2014 | Three Person Show, Paul Stolper Gallery, London; Threadneedle Prize (curated space by invitation) |
2013 | Royal Academy, London; Sardac ‘Work on Paper’, Lectoure, France |
2012 | Discerning Eye, London |
2011 | ‘Wild Thing’, Aberystwyth Arts Centre, Wales; ‘Face To Face’ Galerie d’Ys’ Brussels |
2010 | ‘Text-o-&-figura’, (travelling International drawing show); RA Summer exhibition, London |
2009 | ‘Bad Animals’, Transition, London; Turner Contemporary Open, Margate |
2008 | John Moores 25, Liverpool; RA Summer Exhibition, London |
2007 | 3 person, HQ Lewes, E Sussex; RA Summer Exhibition, London |
2006 | 2 person HQ, Lewes, E Sussex; RA Summer Exhibition, London |
2005 | RA Summer Exhibition, London |
2004 | Monoprints, National Gallery of Costa Rica; RA Summer Exhibition, London |
2003 | 25 years SFMOMA Artists, USA; SanJose ICA, Art Auction, USA; RA Summer Exhibition, London |
2002 | ‘3×2’, The Nunnery, London; International Drawing, National Gallery of Costa Rica; ‘As It Seems’, Drawing, Cheltenham Art Gallery/Museum; RA Summer Exhibition, London |
2001 | Art First, London; Vital Arts, Royal London Hospital; RA Summer Exhibition, London |
2000 | RA Summer Exhibition, London |
1999 | Xtreme Art, Hitchin; RA Summer Exhibition, London |
1998 | ‘Means and Ends’, Open Drawing, Brighton; RA Summer Exhibition, London |
1997 | Cheltenham Open Drawing (touring) |
1996 | ‘Journeys/Memories’, Brighton Museum; CheltenhamOpenDrawing; Inspirit, Maidstone Museum; RA Summer Exhibition, London |
1995 | ‘Inspirit’, Maidstone |
1994 | ‘SpaceFrameOpen’, Gillingham; FlowersEast, London; Harlech 94 International; RA Summer Exhibition, London |
1993 | John Moores 18, Liverpool; Oriel Mostyn Open, Llandudno |
1992 | East/South Open Norwich |
1991 | ‘David Bomberg and After’, Towner Gallery, Eastbourne |
1990 | Oxford County Museum; RA Summer Exhibition, London |
1987 | Scottish drawing competition, Glasgow; RA Summer Exhibition, London |
1985 | Folkestone Metropole Open |
1984 | Trinity Arts Centre, Tunbridge Wells (Drawings, 2 person) |
Public Collections
The Arts Council Collection; National Gallery Costa Rica; Contemporary Art Museum, Costa Rica; New Hall Art Collection, Cambridge, Imago Mundi Collection (Benetton).
Awards
British Council Travel Award (2006);
Shortlisted for the Charles Wollaston Prize (2006, 2003 & 2000);
British Council Award (2003);
Arts Council Major Personal Development Award (2003);
South East Arts Personal Development Award (2002)
Selected Publications and Reviews
Martin Herbert essay “Caution Horses” – Jam Rock (2016); Cathy Lomax essay “To Paint is to Be” – Sing Out Loud (2013); Barry Schwabsky essay, “Georgia Hayes’s Art” — Sing Out Loud (2013); “Drawing and Painting People (A Fresh Approach)”, Emily Ball (2009); “Fun with Animals” – essay by Martin Maloney (2008); ‘Open Season’, Barry Schwabsky, Art in America (2/10/03); ‘Deceptively Simple’, Jack Fischer, The Mercury News, USA (29/9/03); ‘Essential Art Events’, Hannah Shuckburgh, ArtReview (6/03); ‘A Right Carrion’, Laura Gascoigne Interview, What’s On in London (4/6/03); ‘What Is Any Thing?’, Pynto Publication, essay by Rebecca de Saintonge (2003); ‘What Is Any Thing?’, Southwark Park Gallery, essay by Monroe Hodder (2003); Royal Academy Illustrated (98,00,01,02,03); Georgia Hayes Paintings 1999-2001, essay by Sacha Craddock, SFMoMA Artists’ Gallery(2002); Howard Jacobson, Channel 4 TV ‘Not the Turner Prize’ (29/11/00); The Times (25/5/00); ‘Best of the lot? Two Mangled Mallards’, Adrian Searle, The Guardian (23/5/00); The Guardian Guide ‘See This’ (18/12/99); ‘Chancing an Arm’, Maidstone Library Gallery, essay by Caroline Collier (1997); ‘Georgia Hayes’, Harriet Green Gallery (1997); The Art Directions Book (1997);
See also: About Georgia Hayes